According to
Internet Movie Database of 2003, 63.1% households in the Philippines have
televisions. After sharing a bountiful dinner, a Filipino family would stay in
the living room to watch prime time TV shows and spend the weekends in a movie house.
The underground economy continues to grow because of the sale of pirated DVDs
which is prevalent on the busy streets of the metro. Generally, Filipinos have
easy access to broadcast media, like films and television shows. The media
affects how people perceive things and may be able to shape a person's thoughts
even without proper discernment. Because of the realization that media can affect
how a person thinks about the world, several laws are passed to ensure that the
media is regulated and public welfare is protected.
In an attempt to protect the image of
congressmen, Representative Aurelio Gonzales, Jr. proposed the passage of a bill
to prohibit the typecasting of congressmen as villains and crooks in movies and
television shows. House Resolution 2140, also known as Anti-Typecasting Bill
has been criticized by professionals in the media industry because it is a
curtailment of freedom of expression, which is a fundamental right granted by
the constitution. The Bill of Rights aims
to protect the citizens from the state’s excessive use and abuse of its powers.
One of the fundamental rights of an individual is freedom of expression. This
is the constitutional mandate providing people the right to freely express
their views and engage in mass media.
On the other hand, in spite of the constitutional
provision, the Congress also has a plenary legislative power. The Congress can
create legislation that it thinks is appropriate to uphold public welfare. Police
power of the state allows it to limit some rights of the citizens if such curtailment
will be good for public welfare and public policy. Police power is an inherent
power of the state which is present because of the state’s sovereignty.
The proponent defends the bill by
arguing that the portrayal of congressmen as crooks in movies damages the image
of the profession. People who would see congressmen portrayed in movies as jueteng
lords and goons who would beat another person until he bleeds to death, would likely
think that these really happen in real life. If taken without proper discernment,
the negative representations of congressmen may remain in the minds of the people
which can make them subconsciously distrust the law makers.
It can be inferred from the bill
that it only covers congressmen and eliminates other public officers who are
also vested with public trust. The exclusive coverage of the Anti-Typecasting
Bill makes it a self-serving proposal. It is violative of the equal protection
clause because it specifically protects the congressmen who legislate and
leaves unprotected other public officers. On the other hand, if the coverage
will become more inclusive, it will mean a stricter curtailment of the freedom
of expression. A more inclusive coverage of the Anti-Typecasting Bill would
surely be rebutted by producers, directors and actors who are forced to remain
silent.
In its current exclusive set-up, it
has been criticized by directors and the head of MTRCB. The show business
industry argued that negative portrayals of congressmen in movies also happen
to other professions, like lawyers, doctors, teachers and engineers. The
passing of the bill into law might create a precedent for other professions to
demand the same. If this happens, the film and television industry would be
limited to showing the positive, which is not really reflective of the
imperfect society.
Another way to look at it is that
the Anti-Typecasting Bill only covers prohibition on works of fiction. It is
not forbidden for broadcasters and journalists to report indecent and
scandalous acts of legislators, even if these acts are direct threats to public
welfare and against policy. The reporting of derogatory facts is a greater
threat to the public perception of public officials than fictional accounts. The
Anti-Typecasting Bill is an overly defensive and an escapist way of facing the issue.
There should be a reasonable presumption that the households and individuals who
have access to the media are capable of discernment in judging which shows are fictional
and which are not. There is no need to blacken the silver screen.
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